English 1A (Fall 2022) — How Grades Work

My philosophy

My grading policies are based on the notion that a student’s grade should measure learning, not compliance.

This philosophy has led me to reconsider a few things that I’ve done in the past — things that you may be used to, since it’s what many (possibly most) instructors do.

Grading

I use a 4-point scale for grading:

  • A =4 points
  • B = 3 points
  • C = 2 points
  • D = 1 point
  • F = 0 points

(The mathematically astute among you may note that this is actually a 5-point scale, since “0” is indeed a grade. But most people call it a 4-point scale, so I’m going with that….)

Further, I only assign grades to a limited number of assignments — to essays, in most cases, though there are a couple other assignments that will also receive grades. I weight those assignments as follows:

  • Essay 1 (Educational Autobiography) 15%
  • Essay 2 (American Standard English) 25%
  • Essay 3 (Equity) 35%
  • Annotated Bibliographies 20%
  • Reflection on the Course 5%

Calculated grades will almost certainly end up having a decimal point (3.27, for example). I’ll use the usual rules for rounding up at .5 — for example, 3.5 =A, 2.5 = B, and so on.

Some Thoughts on this Grading Policy

As I mentioned earlier, I know that aspects of this policy may be different from what you’re used to, so let me offer brief explanations for the two most significant differences. If you have any further questions or concerns, I’d be happy to talk in more detail. (At some point, I’ll make a video with a more detailed explanation, but I don’t have time to do that at this point.)

The 4-Point Scale

Many instructors use a-100 point system (A = 90+, B= 80+, etc.). I have a number of issues with that system — it puts way too much weight on failing (a “0” is almost impossible to recover from, for example); practically, it encourages too much subjectivity as I grade (for example, what is the difference between an 88 and an 86 in a research paper?). The 4-point system reduces both of those problems significantly.

Points (or the Lack Thereof)

Many instructors offer “points” for things like homework or discussion entries, etc. As you can tell from the breakdown above, I don’t do that.

If those points are meant to grade you — to tell you how well you’ve done — well, that’s just too soon. I want to grade you on what you know and/or can do at the end of a unit. I want the grade to let you know the answer to this question: how well have you achieved the learning outcomes?

With that focus, it doesn’t make sense to me to grade you while you’re still learning. In some cases, the information or skill will be new to you; in other cases, I’ll be encouraging you to unlearn things you’ve learned in the past. Either way, genuine learning involves risking mistakes, and grades discourage most students from taking risks.

And if these points are just meant to encourage you to do the work… well, that doesn’t tell us if you’ve learned anything; it just tells us that you did what you were told. If you’re going to pass the class, it should be because you’ve learned, not because you’ve managed to jump through hoops. And with a points system that simply records compliance, it’s often possible to pass the class without meeting the learning objectives.

Danger, Will Robinson

There are a couple dangers here, of course. I know many students only want to do the work that is graded. They look at Canvas’s Calendar or To-Do List, jump directly to an assignment that is due, and try to fulfill the assignment.

That is rarely — and I mean rarely — a successful strategy.

So please don’t misunderstand me. I do not assign busy work; everything I assign — whether it will be officially graded or not — is meant to support you as you learn to read and write college-level texts. Skipping the “ungraded” work — deciding not to read the modules, or to write Discussion Group Assignments, or to meet with me to discuss a working draft of an essay — almost never works out.

The second danger: people who study student success note that community — a sense of belonging — is a major indicator of success. Indeed, some of my (ungraded) assignments, such as Discussion Group Assignments, ask you to respond to each other. If you don’t do that work, you cut yourself off for the community. (And for those who think, “I don’t need other people’s help; I know what I’m doing”: consider that others might need your help…)

One Last Thought

The 4-point scale is not perfect. As far as I can tell, though, no scale is perfect — there are always trade-offs. And the 4-point has huge advantages over the 100-point scale.

If you’d like to talk through what these differences are — if you’re concerned (as many students are), or if you just want to understand better what’s going on here, I’m happy to meet with you to talk through it. I mean that: I welcome your insights, and I’ll consider them as I work on next semester’s courses.

As we get closer to the first graded assignment (Essay 1), I’ll post an announcement with some thoughts about Canvas’s Gradebook. There are some general issues that I’ve found with the Gradebook, but the 4-point scale has created some new ones for me. But I’ll do my best to make sure that it’s as understandable as possible. (That’s not easy; Canvas really, really wants a 100-poiont scale…)

Rewrites

As I said, I want my grades to reflect your learning. And if I want that grading to be consistent with my philosophy, it’s important that I offer you opportunities to redo graded work. After all, you’ll be learning how to write essays all semester, and you might learn things in the second essay that would help you improve your first essay.

Therefore, I will offer you the opportunity to rewrite any graded work, as you choose.

There will be some limitations. For one thing, the class does end, at some point, and I need time to be grade the rewrites. Further, I will require you to follow a process before turning it in. (This process will be relatively simple, but I want to be sure you’re not just wasting your time rewriting something without actually making it better.)

I hope you can see that this rewrite policy, especially when added to the 4-point grading scale, means that, even if you’re struggling at the beginning of the course, you don’t need to give up. You’ll have the entire semester to learn what you need to know and/or be able to to, and a single grade — even a “0” — doesn’t doom you.

Late Policy

As I’ve said a few times now, my grading philosophy emphasizes learning, not compliance. In a perfect world, that would mean that I’d have no late policy at all.

Unfortunately, the world isn’t perfect, so I’ve had to put two basic rules I’ve needed to put in place.

First: since I need to turn in grades during the week of Dec. 19, I will accept work no later than noon on Saturday, December 17. I hope you can see why: I need time to grade the work.

Second: Each graded assignment — the essays, annotated bibliographies, the reflective essay — will all have two due dates:

  • The first due date, which is the one that Canvas will display, is a recommended due date. Meeting this deadline will ensure that you finish the assignment before starting the next assignment of unit. (Note that Canvas will flag anything turned in after this date as “late”; that has no effect on your grade.)
  • The second due date is the no added requirements due date. In other words, if you meet this second deadline, I’ll accept your assignment just as if you had turned it in by the recommended date, with no penalty. (How much later this due date is will depend on the assignment; for example, Essay 3 is due near the end of the semester, so there isn’t as much time to accept a late assignment.)
  • If you want to turn in the assignment after that second due date, you’ll need to fulfill a couple extra requirements. There are several reasons for this, but here are two: I want to encourage you not to get so far behind that you can’t catch up; and I want to be sure that your work fulfills the assignment, since there would be less time for rewrites.

However, in all these cases, I am willing to work with you if you contact me. If you think your situation will require you to miss either the end-of-semester deadline, or an assignment’s second deadline, let me know. As I said, I’m willing to work with you, but I need you to let me know what you need.

More Danger, Will Robinson

There are dangers to this late policy. Every time a student turns in an assignment late, it usually means she starts the next assignment late as well. That can add up over the course of the semester. And I don’t know about you, but when I get overwhelmed, I procrastinate even more, which makes things worse.

So do your best to keep up with the pace of the course. But if you find you need to turn an assignment in late, try not to stress out too much. The late policy is flexible — and, if you contact me, I might be able to be even more flexible.

Next up: Resources

The next section is about resources that you might find helpful.

[Table of Contents]

English 1A (Fall 2022) — How the Class Works

Registration

First Week Rule

I often have a number of students hoping to add the class during the first week or two of the semester. So, to make sure that those students have time to join — and to be sure that registered students don’t delay getting started — I require you to do two things by the end of the first week.

Specifically, I’ll need to drop any registered student who does not complete both the Syllabus Quiz and the Canvas Message Assignment by 11:00 p.m. on Sunday, August 21.

If that creates a problem for you, please contact me in advance. We can make another arrangement, if needed. But I do need you to contact me before Sunday.

Drop Dates

This semester, the deadlines for dropping the course are as follows:

  • August 26, to be eligible for a refund;
  • September 2, to avoid a “W” on your permanent record
  • November 10, to receive a “W” on your permanent record.

NOTE: The state of California (which funds community colleges) no longer distinguishes between a “W” (Withdraw) and a non-passing grade (in ENGL 1A, a “D” or “F”) in determining the number of times a student may attempt a class; students are now limited to three attempts total within a district. If you decide you need to drop, I recommend that you see a counselor to discuss what effect that might have on your educational plans.

Student Responsibility to Drop

Every term, several students disappear from the course for a variety of reasons. I cannot always tell if a student has really left the course (and forgotten to officially drop) or has decided to prioritize her time differently (and plans to get caught up). If you stop participating in the class, I will do my best to contact you.

In the end, though, it is the student’s responsibility to drop by the appropriate deadlines. If you do decide you need to drop, please be sure you follow through with the Admissions Office.

More important, though: If you find yourself tempted to quit, I encourage you to contact me first. I might be able to help you get back on track.

Disability Statement

If you need special arrangements for a physical or learning disability, I encourage you to let me know, and to arrange an accommodation plan through Disabled Students Programs and Services (DSPS) –LINK– as soon as you can. Working with DSPS isn’t a requirement, but they offer helpful support for both you and me.

Please visit the DSPS page to see what kind of help is officially available to you. If you’re on campus, you can drop by their office (Building 1800, at the west end of campus), or you can contact them by phone — (530) 741-6795 or email (dspsinfo@yccd.edu).

Communication

Announcements

Two or three times a week, I will post announcements for the class using (surprise!) Canvas’s Announcements. There will basically be two kinds:

Reminders for upcoming assignments, changes to due dates, corrections, and other announcements related to the logistics of the course (how the course works);
Instructional material, clarifications, responses to issues that come up in student work, and other items related to the content of the course (things to help you do your work).

Both kinds of announcements are important, so I recommend that you log in to the course and look for announcements at least three times each week—or, even better, consider setting up a “Notification” to inform you whenever an announcement appears (see the next item in this syllabus).

Notifications

Canvas has an incredibly flexible communications system. Indeed, at times, it can even be too flexible, and communications can get lost in the range of possible channels.

If you haven’t yet done so, I recommend that you go to your Canvas Settings and set up Notifications in a way that is comfortable for you. (Here’s a tutorial for setting up Notifications.)

You can set it up so Canvas notifies you when there’s a new announcement (as mentioned above), as well as when I post a grade, or someone responds to a message in the Discussion forum, etc.

Discussions

Throughout the class, I will assign a number of Discussion Group Assignments (DGAs). These are designed to allow you to work through issues and ideas we bring up in class. I will also set up specific threads that focus on specific assignments, as well as general questions.

It is important that everyone feel comfortable participating in Discussions. For this reason, be respectful of your peers. You will, at times, disagree, but please do so thoughtfully and politely, not with sarcasm or derogatory remarks directed at any person or group of persons. Please remember that there is a feeling human being on the other end of the computer connection. There is a lot of room for debate, but not for flame wars.

On the other side of the coin: please don’t take criticism or advice personally. Love-fests don’t help anyone improve; honest suggestions do. When they’re right, we learn something new. But even when they’re wrong, we strengthen our own position by articulating why we think they’re wrong.

In short: strive both to give and to receive feedback, criticism, or advice with grace.

Canvas Messages (“Conversations”) and Personal Email

Messages to individuals (to your classmates, or to me)—Canvas calls these “Conversations”— should generally be used only for private communications. If you have any comments or questions that might be of interest to the class, please post them in an appropriate Discussion thread so others may benefit from the conversation.

For example, if you want to let me know why you haven’t turned in an assignment yet (a private issue that the rest of the class doesn’t need to know about), it would be appropriate to send me an individual Canvas message. If you are confused about the instructions on a writing assignment, though, it would be appropriate to ask that question in the Discussions area. You may be a little nervous about that, but try not to be. While you may fear that your question is obvious, it’s likely that others have a similar question — and sometimes students’ answers to such questions are clearer than my response.

For class-related issues, please contact me through Canvas; it’s much easier to keep track of conversations that way. For issues not related to the class, or in case you have trouble with Canvas (if you have trouble logging into Canvas, for example), you can go ahead and contact me through my personal email address (gkemble@yccd.edu).

I will respond within two business days (though I’m usually much quicker than that).

Dead Links

Every semester, I work to improve the course, which sometimes causes unintended glitches. If you find any “dead” links (or other mistakes—inconsistent due dates, typos, whatever), please let me know so I can fix them.

I am also open to feedback, so if you have any suggestions for improvement to the presentation, or you can identify areas that were confusing or not intuitive, please feel free to let me know that as well.

Standards

Using Modules

As modules are released, the assignments associated with the modules will also become available, in the course’s Assignments section. However, you should go directly to an assignment only as a convenience, after you have worked through the module leading up to the assignment.

Occasionally students try to skip straight to the assignment without working through the modules. This is a recipe for disaster, for a number of reasons. Please work through the modules thoroughly and in order, so that you will benefit from the explanations and preparatory writing assignments.

Formatting

Your three main essays should be formatted using MLA style format. We’ll talk about this during the course, but here’s a short version:
Essays should:

  • be typed, using a standard 12-point font (e.g., Times or Times New Roman);
  • be double-spaced (never single-spaced; never triple-spaced);
  • have one-inch margins;
  • have a correctly formatted header, title, and pagination
  • document sources correctly, using both in-text citation and a Works Cited page.

Final drafts of essays, especially, should be edited, proofread, and spell-checked.

And please give each essay a clever and informative title (“Essay 1” is neither clever nor informative….)

Submitting Essays

Unless specified otherwise, please submit assignments as a “File Upload” through the Assignments section in Canvas. (The most notable exception: Discussion Group Assignments.)

Please don’t submit work to my personal email unless it is absolutely necessary. It’s hard to keep track of work that is not submitted as instructed—especially work submitted outside Canvas.

If possible, please upload essays in Microsoft Word format (.doc, or .docx), as this format allows me to respond to your work most effectively. (Note that Google Docs can save a in Word format, under “File | Download.”)

If you do not have access to Word (or Google Docs), you may save and upload your essay as a PDF file. As I said, though, I am able to work more effectively with Word documents.

Note that Canvas won’t allow you to upload files in other formats (unless I’ve specified that other formats are acceptable).

Retrieving Graded Essays

When I’ve graded an assignment, you will be able to find your letter grade in the Canvas Gradebook.

However, for most assignments, I will also upload a PDF of your graded essay with my comments, which is where I offer the specific, personalized response to your work. (Note: If you would prefer a Word document, please let me know. However, unless you need it in Word—for example, screen readers handle Word documents better than PDFs—I recommend staying with the PDF, as that format more consistently displays my comments.)

You’ll find this document in the same place you submitted the original work—usually, in the Assignments section—and should be able to download it and then either read it on screen or print it out.

Plagiarism

Plagiarism is defined as using another person’s words or ideas without proper acknowledgment. This may take many forms: cutting and pasting from the Internet, using others’ ideas without proper citation, buying a paper, having a friend or family member do an assignment, and so on.

Please don’t.

Plagiarism is serious, and it carries serious consequences. At the very least, a plagiarized paper will receive a “0” on the assignment. But plagiarism may also result in disciplinary probation or suspension, or even expulsion. (See the Student Code of Conduct).

Most cases of plagiarism that I have encountered — and I have encountered many — have arisen from desperation. If you find yourself growing desperate, please contact me as early as possible so that we can discuss strategies for success on the assignment.

Next up: Grading

The next section is about my grading policies.

[Table of Contents]

English 1A (Fall 2022) — Learning Outcomes

Objectives and Student Learning Outcomes (SLOs)

The English Department at Yuba College has four Student Learning Outcomes (SLOs) that guide much of our instruction in composition courses.

Upon completion of the course, students will:

  • use reading strategies to understand argumentative texts that contain both literal and implied meanings;
  • compose a clearly-written, well-organized, purpose-driven essay;
  • synthesize evidence from outside sources to support claims effectively;
  • attribute and document sources correctly.

That isn’t the most student-friendly language, so don’t be too concerned if much of this doesn’t make sense to you yet. Things should become clearer as we work through the semester.

In addition to the official outcomes, have a number of other objectives, as well; I would like you to:

  • develop your skills as a critical thinker, reader, and writer;
  • affect people in your sphere of influence;
  • engage deeply with important public policy issues.

Ideally, you also have your own objectives. If you don’t, I recommend you spend some time thinking about what those objectives might be. Why (beyond earning a grade) are you taking English 1A? Why are you in school more generally?

The clearer your sense of purpose, the more likely you are to stick with the course when it becomes challenging.

Next up: Policies

The next section is about the course’s policies.

[Table of Contents]

English 1A (Fall 2022) — Course Information

Course Title

English 1A: College Composition and Reading

Sections

This syllabus applies to three sections of English 1A: D9229, 9230, and 9231. All three sections are online.

Instructor

Greg Kemble

Contact information


Whenever possible, please contact me through Canvas, using the “Inbox” in Canvas’s main menu. It’s much easier for me to keep track of our conversations that way.

If you’re not able to contact me through Canvas, though, here are some alternatives:

  • Email: gkemble@yccd.edu (As I said, it’s easier for me to keep track of things in Canvas, so please only use this when you need a response more quickly than usual.)
  • Office Phone: (530) 749-3821 (please leave a voicemail)

Note: I don’t spend a lot of time in my office, so I’m likely to get a message more quickly though Canvas or email than by voicemail.

Student Hours (via Zoom)

I call these “student hours,” rather than “office hours,” because I want to be sure you understand that they are scheduled for you, not for me. Please don’t hesitate to take advantage of them.

Further, if you are not available at the times listed, please contact me to set up an appointment. I’m happy to find a time that works for your schedule — even if that means connecting in the evening or on a weekend.

  • Mondays 3:00 – 4:00 p.m.
  • Wednesdays 10:00 – 11:00 a.m.
  • Thursdays 1:00 – 2:00 p.m.

You are welcome to drop in at any of the above times, but I recommend that you contact me to set up an appointment even for scheduled student hours. Though I do my best to protect these times, I am sometimes required to attend meetings or other appointments.

Here’s the link for the Zoom room: Student Hours

Conferences

A few times throughout the semester — usually to discuss a draft of your essay — I will schedule a Zoom conference with you. We’ll use the same Zoom link that as we do for Student Hours.

Office Location

1100 Building, Room 1179.

I am rarely in my office, though, so (as I mentioned above) student hours and conferences will be held on Zoom.

Textbook

This course is a “Zero-Cost Textbook” course, which means that we’ll be using an Open Educational Resources (OER) textbook. (If you’re interested in OER, you can read about the initiative on the California Community Colleges OER page.)

This is the first time I’ve used a free, OER textbook, so I’ll be sorting out how best to use it in the class. I should be able to include the relevant parts of the text in Canvas, so you shouldn’t even need to download anything. (If that changes, I’ll let everyone know through a Canvas announcement.)

If you’d like a copy of the full text — it’s a good book! — you may either download the full PDF (for free) or buy a paper copy at the book’s LibreTexts page. (Hover over the blue “Downloads” button for options.)

[Just to be clear: you are not required to buy the textbook. Further, we won’t read the whole book, so — unless I discover that I can’t embed the text in our course’s modules — you don’t need to download the full PDF, either. You’re welcome to, of course, but it’s not required.)

[Updated 8/16/22] Somehow I forgot to include the name and title of the text: Anna Mills’s How Arguments Work – A Guide to Writing and Analyzing Texts in College. (The above link still works, and (as I said) I’ll include the important chapters as we go. But I should have named the book.)

Course Description

Here’s the description of English 1A that you’ll find in the Yuba College catalog:

An introductory course offering instruction in expository and argumentative writing, appropriate and effective use of language, close reading, cogent thinking, research strategies, information literacy, and documentation. Focus on the recursivity of writing processes and integrating reading, writing, and speaking skills. Students will write a minimum of 6000 words.

If you don’t already have a lot of experience with college or with college-level writing, some of that might not make a lot of sense yet. That’s okay — that’s why you’re here! Don’t let the fancy words intimidate you.

On the other hand, English 1A — especially the online version! — is a demanding course. I don’t want you to be scared of it, but I don’t want you to underestimate it, either.

Time Commitment

As I just said, English 1A is demanding. That’s not just because English professors are mean (though we may be). We’re required to follow rules and policies that the state of California has set for us.

One of those policies is to make sure we include the following information in our syllabi:
English 1A is a 4-unit course, which translates to:

  • Total hours for the course: 216
  • In-class (“lecture”) hours: 72
  • Out-of-class (“homework”) hours: 144

Of course, these numbers are for face-to-face courses, so the 72 hours of “lecture” obviously doesn’t apply in quite the same way for our class. But you should expect something similar — an average of around 4 hours per week working through the online content, and another average of around 8 hours a week doing outside work (reading, writing, and research).

Does that sound like a lot? It is! I am often surprised at how many students expect to be able to do the course in just a few hours each weekend — or, worse, in a few hours at the end of the semester.

Again, I’m not trying to scare you here. Lots of people succeed in the course! But it’s important that you understand what’s expected of you so that you can plan your semester accordingly.

Are you ready?

Requirements for placing into English 1A have changed, due to changes in California state law; placement is now mostly based on high school Grade Point Average (GPA).

This means that our class will include students with a wide range of reading and writing skills, and a wide range of expectations:

  • some of you are just out of high school and have not yet encountered college-level writing;
  • some of you have been away from school for a number of years and fear that you have forgotten much of what you used to know;
  • some of you are masters of a language other than English, but struggle with English;
  • some of you are just sure that, for whatever reason, you’re not good writers.

I will do my best to meet you at whatever level you find yourself. Of course, online instruction and assignments are relatively set, and it’s impossible for personal interactions to be 100% customized for each member of the class; there just aren’t that many hours in a day. But when I respond to your assignments, I will do my best to address your particular needs.

But you will need to do your part, too. Please read my comments carefully, and ask questions when something is not clear.

Above all: understand that one aspect — probably the most important aspect — of college is learning how to learn. Don’t rely only on me and my instruction; make sure you also seek answers on your own. There are a lot of good writing resources out there (I’ll point to several of them throughout the course, including later in this syllabus). The more you pursue questions on your own, the more useful my help — and the help of teachers in future courses — will be.

Next up: Learning Outcomes

As I mentioned earlier, I’ve broken this syllabus up into several parts so that it’s not just one long, overwhelming document. The next section is about Learning Outcomes.

[Table of Contents]

English 1A (Fall 2022) — Welcome & Table of Contents

[Update: Here’s a version in Word format (.docx) that you can download to view or print out. It should open in any word processor, but if you need a different format, please let me know.]

Welcome to my English 1A course, and to this syllabus, which is meant to let you know what you can expect — from the course, and from me — and what I (and the school) expect from you, as a student in the course.

I’ve broken the syllabus up into sections so that you won’t get overwhelmed by a long, infinitely scrolling page.

To get started, click on “Course Information” in the Table of Contents below. At the bottom of each page, you’ll find a link to the next page, so you can just work your way through the whole syllabus. But if you want to take a break and come back later, or if you want to review a section, you can use the Table of Contents below to jump to the section you need.

I’ll see you around.

Table of Contents

Course Information
Learning Outcomes
How the Class Works
How Grades Work
Helpful Stuff

Notes from the English Dept. meeting of Feb. 1, 2022

Announcements

  • Program Review Annual Update – I sent an email with a revised draft of the annual update and a link to a survey collecting permission to upload it. Please respond by next Friday, Feb. 11).
  • WLDC – Awhile ago, Brian Jukes sent an email with a link for a Canvas page that you can important into your course, advertising the WLDC. I also recommend following Cindi Sargent’s advice (she’s the Instructional Designer) of including a link and explanation to the WLDC on your assignments so that you’re offering “Just In Time” support. Remember that we’ve struggled a bit keeping the WLDC at a level of support we’d like, so pushing the WLDC helps both our students and the Center.
  • Fall schedule – Walter is meeting with Jeremy today. I will meet with him shortly after that. More on this issue below, under “Low enrolled literature classes.”
  • Virtual Happy Hour is back! Join us Fridays at 4:00. I email a link each Friday morning, so keep your eyes open for that.
  • Post-meeting survey – As usual, a post-meeting survey should show up in your email. I welcome any feedback. (I should mention that, aside from considering the feedback myself, I pass along kudos and/or suggestions to the relevant people.

Library Announcements

Since Elena was here to talk about GE degrees anyway, she also made some announcements about the library:

  • The library is available to schedule workshops for your classes. They can be offered face-to-face or online. They also make videos for specific classes (and faculty who have used them are able to reuse them in later classes).
  • We have access to Digital Theater+, which has a video database that includes an extensive collection of films of plays as well as instructional materials for teaching those plays. Brian Jukes wrote about this in an email last semester (Date: Nov. 10, 2021, Subject: “Digital Theater+”). There’s a little complexity about logging in — for some reason, IT won’t get this on our Single-Sign-On thingy — so you may need to reach out for a little help to get your students (and yourself) access, but it’s a great resource and worth the effort.
  • The library has Information Literacy modules that you can use for your students. They exist as standalone courses, but they’re also in the Commons, allowing you to import modules into your course.

These were highlights from the “Welcome from the Library” newsletter than we received in email last week. If you’d like more information, check out that email. (You can also contact Elena at eflacks@yccd.edu )

GE Arts and Humanities Degree Adoption

Elena explained (much better than I’ve been able to) what’s going on here. Let me try to capture it:

We have three General Education degrees, all of which have no “ownership.” This means that no one has taken the responsibility to keep them up to date. This means that there have been no revisions since the 1970s, resulting in degrees that include classes we haven’t offered for years, etc. Aside from being popular — 20 students earned the Arts and Humanities GE degree last year, for example — they serve other purposes for students, in particular for students transferring to UCs (they don’t accept Transfer Degrees), students seeking an AA for advancement at their job, athletes maintaining eligibility, and so on.

Elena and Lore (from the Curriculum Committee) were given authority to revise the degrees, at least to the extent of removing inactive courses. But they’re seeking a more long-term solution. And since the majority of classes in this degree are English classes, they’re asking the English Department to “adopt” the Arts and Humanities General Education degree.

This would entail two main functions:

  1. Revising the degree (removing inactive courses; removing or adding courses according to relevance)
  2. Assessing Program SLOs

Regarding #1: We’d have the authority to make decisions about which classes should or shouldn’t appear here. This should, of course, be done in collaboration with other departments. And it would need to go through the normal curriculum process, which would involve us submitting the degree to the committee as part of the approval process.

Since the degree is being revised this week (removing inactive courses), we would not technically have to deal with thus much for five years, when the next official curriculum review will be done. If we choose to do this, though, I’d advocate considering getting to work on it sooner.

Regarding #2: This is a little murkier because the college is still developing its PSLO processes. So far, PSLOs are linked to Course SLOs (or will be, once eLumen is up and running). But what we do with them — what kind of conversations are encouraged, and what kinds of decisions such conversations might lead to — is uncertain.

I confirmed that we would not be asked to write a Program Review for the degree. We would likely want to mention work we’re doing for the GE Degree in our program review — indeed, one of the “selling points” for us to do this is that we’d be allowed to report the A&H degrees earned as ours.

To wrap up: There are larger discussions going on about whether or not the GE degrees are a good thing or not. There are valid arguments on both sides.

But we’ve been asked to adopt the A&H GE Degree for as long as the GE Degree exists.

I will add, because it’s my blog, that I support this. I would like to see the degree turned into something meaningful, rather than “grab bag.” Carrie also expressed support, noting especially that she’d rather we be doing it than anyone else. (I agree with her on this, too: after all, most of the classes on the degree are ours….)

And Elena noted that we’re one of the few departments with a large enough roster to do the work — and that our example might help encourage other departments to adopt the other degrees.

I’m not sure what the next steps will be. I think I’ll point people to this blog, ask them to read it, and then open things up for a discussion online. If we want to discuss this in real time, I can devote part of the next meeting to it; either way, I’ll wrap up with a survey that lets us “vote,” so to speak, on the issue.

For everyone’s sake, but especially the Curriculum Committee’s sake, I want to avoid a long silence. So watch for an email…

I can’t capture the whole discussion — for one thing, my part of the conversation was largely incoherent. But here are some decisions and/or thoughts that came out of the discussion:

  • Brian Jukes is recommending that his two literature classes (Shakespeare, Intro to Brit) be offered online. (I think Shakespeare already was online)
  • Kiara is going to talk to Brian Condrey about options for the new LGBTQ+ course. There are important reasons not simply to put it asynchronously online.
  • I will contact Brian Condrey about Intro to Am.
  • I will continue a push, begun by Brian C and James Gilbreath, to lower the Intro to Film caps, which somehow got up to 70 for each class. (As Carrie points out, this class fits same bill for graduation requirements as our other lit courses, and thus likely contributes to our low enrollment in those other lit courses.)

Walter is meeting with Jeremy tomorrow (Wed.). I’ve encouraged him to ask direct and specific questions about the college’s planning assumptions, as well as about our intentions regarding things like offering a range of times (evening? morning?), limits to online teaching load for full-time faculty, and so on. (It dawns on me that the new eligibility-to-teach-online requirements are supposed to kick in this Fall. That’s crazy….)

I’ll also pursue questions about hybrid teaching — what guidelines or limitations are there? Has the college/district already made decisions about what options are available?

I’ll wrap up with something that was important to me to realize I was concerned that moving lit classes online might be irreversible, but Brian J pointed out that they shouldn’t be. I’ll be framing discussions with Walter to emphasize the temporary nature of these decisions. And Carrie pointed out that we rush decisions that have long-term consequences while still under these enrollment/pandemic pressures.

If you were there and see that I missed something, or if you have any questions, please let me know.

English 1A (Spring 2022) – General Information

Table of Contents

General Information

Course Title

English 1A: College Composition and Reading

Sections

This syllabus applies to three sections of English 1A: D9122, and D9123, and 9125.

Instructor

Greg Kemble

Contact information

Whenever possible, please contact me through Canvas, using the “Inbox” in Canvas’s main menu. It’s much easier for me to keep track of our conversations that way.

If you’re not able to contact me through Canvas, though, here are some alternatives:

  • Email: gkemble@yccd.edu (As I said, it’s easier for me to keep track of things in Canvas, so please only use this when you need a response more quickly than usual.)
  • Office Phone: (530) 749-3821 (please leave a voicemail)
    • Note: I don’t spend a lot of time in my office, so I’m likely to get a message though Canvas or email more quickly than through voicemail.

Student Hours

I call these “student hours,” rather than “office hours,” because I want to be sure you understand that they are scheduled for you, not for me. Please don’t hesitate to take advantage of them.

Further, if you are not available at the times listed, please contact me to set up an appointment. I’m happy to find a time that works for your schedule — even if that means connecting in the evening or on a weekend.

[Note: as I write this, I believe that I am also teaching a face-to-face class, so one of the hours is scheduled in person. If that class is cancelled, then all three scheduled times will be via Zoom (or phone) — The class was cancelled, so all three scheduled hours will be via Zoom (or phone).]

  • Mondays 3:00 – 4:00 p.m. (via Zoom)
  • Wednesdays 9:00 – 10:00 a.m. (via Zoom)
  • Thursdays 11:30 a.m. – 12:30 p.m. (via Zoom)

You are welcome to drop in at any of the above times, but I recommend that you contact me to set up an appointment even for scheduled student hours. Though I do my best to protect these times, I am sometimes required to attend meetings or other appointments.

Link for Zoom Student Hours

Passcode (if needed): 538309

Conferences

A few times throughout the semester — usually to discuss a draft of your essay — I will schedule a Zoom conference with you. We’ll use the same Zoom link that as we do for Student Hours.

Office Location

1100 Building, Room 1179.

My office is in the rear of the library building, but you can’t reach it through the library. Walk around the right side of the library building (facing the front). Most of the way down the building (after the patio area), you’ll find a single glass door. Enter there, and then continue straight through the inner glass door. My office is in the second alcove on your right.

Note that I am not often in my office. This will be especially true this semester, as we continue to struggle with COVID. Indeed, I will probably find a place with better ventilation to meet students. So please contact me in advance to make arrangements to meet — even if you’d like to meet during my scheduled Student Hours.

Textbook

Sections D-9122 and D-9123

Required

Cover of Graff and Birkenstein's They Say / I Say.

Graff, Gerald, and Cathy Birkenstein. They Say / I Say. 4th edition. Norton, 2018. ISBN: 978-0-393-63167-8.

This is the 4th edition, without readings, and it would be best if we all used the same text. However, the 3rd edition, or the 3rd or 4th edition with readings, should be fine, if you already have one of those. The differences aren’t earth shattering, and as long as you’re a bit flexible, you should be able to get by.

Section D-9125

I was assigned to teach this section of ENGL 1A well after students had already signed up for the course. And when they signed up, it was advertised as a “no-cost” course. I’m not exactly sure how I’m going to pull it off, but I’ve decided that it wouldn’t be fair to change that. So there is no textbook required for this section.

Course Description

Here’s the description of English 1A that you’ll find in the Yuba College catalog:

An introductory course offering instruction in expository and argumentative writing, appropriate and effective use of language, close reading, cogent thinking, research strategies, information literacy, and documentation. Focus on the recursivity of writing processes and integrating reading, writing, and speaking skills. Students will write a minimum of 6000 words.

If you don’t already have a lot of experience with college or with college-level writing, some of that might not make a lot of sense yet. That’s okay — that’s why you’re here! Don’t let the fancy words intimidate you.

That said, English 1A is a pretty demanding course. That’s especially true of the online version. So while I don’t want you to be scared of it, I don’t want you to be complacent, either.

Time Commitment

As I just said, English 1A is pretty demanding. That’s not just because we English professors are ogres (though we may be); we’re also required to follow some policies that the state of California has set for us. (They even require us to include the following breakdown in the course’s syllabus!)

English 1A is a 4-unit course, which translates to:

  • Total hours for the course: 216
    • In-class (“lecture”) hours: 72 
    • Out-of-class (“homework”) hours: 144 

These numbers are for face-to-face courses, and that obviously doesn’t apply in quite the same way for an online class. But you should expect something similar — an average of around 4 hours per week working through the online content, and another average of around 8 hours a week doing outside work (reading, writing, and research).

Does that sound like a lot? It is! I am often surprised at how many students expect to be able to do the course in just a few hours each weekend — or, worse, in a few hours at the end of the semester.

Now, I’m not trying to scare you here. Lots of people succeed in the course! But it’s important that you understand what’s expected of you so that you can plan accordingly.

Are you ready?

Requirements for placing into English 1A have changed, due to changes in California state law; placement is now mostly based on high school Grade Point Average (GPA) — though passing ENGL 51 or 56 still qualifies you for the course.

This means that our class will include students with a wide range of reading and writing skills and expectations:

  • some of you are just out of high school and have not yet encountered college-level writing;
  • some of you have been away from school for a number of years and fear that you have forgotten much of what you used to know;
  • some of you are masters of a language other than English, but struggle with English;
  • some of you are just sure that, for whatever reason, you’re not good writers.

I will do my best to meet you at whatever level you find yourself. Of course, online instruction and assignments are relatively set, and it’s impossible for personal interactions to be 100% customized for each member of the class; there just aren’t that many hours in a day. But when I respond to your assignments, and especially your major essays, I will do my best to address your particular needs.

But you will need to do your part, too. Please read my comments carefully, and ask questions when something is not clear.

Above all: understand that one aspect — probably the most important aspect — of college is learning how to learn. Don’t rely only on me and my instruction; make sure you also seek answers on your own. There are a lot of good writing resources out there (I’ll point to several of them throughout the course, including later in this syllabus). The more you pursue questions on your own, the more useful my help — and the help of teachers in future courses — will be.

Next up: Learning Outcomes

I’ve broken this syllabus up into several parts so that it’s not just one long, overwhelming document. The next section is about Learning Outcomes.

English 1A (Spring 2022) – Policies

Table of Contents

Registration Policies

First Week Rule

I often have a number of students hoping to add the class during the first week or two of the semester. So, to make sure that those students have time to join — and to be sure that registered students don’t delay getting started — I require you to do two things before the end of the first week.

Specifically, I’ll need to drop any registered student who does not complete both the Syllabus Quiz and the Canvas Message Assignment by 11:00 p.m. on Sunday, January 30.

If that creates a problem for you, please contact me in advance. We can make another arrangement, if needed. But I do need you to contact me before Sunday.

Drop Dates

This semester, the deadlines for dropping the course are as follows:

  • February 4, to be eligible for a refund and to avoid a “W” on your permanent record;
  • April 29, to receive a “W” on your permanent record.

Dropping after the April 29 deadline will almost certainly earn you an “F,” which can only be overturned in the most extreme circumstances. 

NOTE: The state of California (which funds community colleges) no longer distinguishes between a “W” (Withdraw) and a non-passing grade (in ENGL 1A, a “D” or “F”) in determining the number of times a student may attempt a class; students are now limited to three attempts total within a district. If you decide you need to drop, I recommend that you see a counselor to discuss what effect that might have on your educational plans. (As we approach that “W” date, I’ll send an announcement that discusses this in more detail.)

Student Responsibility to Drop

Every term, a fair number of students disappear from the course for a variety of reasons—often without a word. Though I do try to drop such students before the last drop date (I am not a fan of putting an “F” on students’ transcripts), I am not always able to tell if a student has really left or has decided to prioritize her time differently. Therefore, I cannot be responsible to make sure students meet their drop deadlines.

It is the student’s responsibility to drop by the appropriate deadlines. If you decide you need to drop, please be sure you follow through with the Admissions Office.

More important, though: If you find yourself tempted to quit, I encourage you to contact me first. I might be able to help you get back on track.

Disability Statement

If you need special arrangements for a physical or learning disability, I recommend you work with our Disabled Students Programs and Services. That isn’t a requirement, but they offer helpful support for both you and me.

Please visit the DSPS page to see what kind of help is officially available to you.

Communications Policies

Notifications

Canvas has an incredibly flexible communications system. Indeed, at times, it can even be too flexible, and communications can get lost in the range of possible channels.

If you haven’t yet done so, I recommend that you go to your Canvas Settings and set up Notifications in a way that is comfortable for you. (Here’s a tutorial for setting up Notifications.)

Announcements

Two or three times a week, I will post announcements for the class. There will basically be two kinds of announcements:

  • Reminders for upcoming assignments, changes to due dates, corrections, and other announcements related to the logistics of the course
  • Instructional material, clarifications, spontaneous “lessons” about issues that come up in student work, and other items related to the content of the course

Both kinds of announcements are important, so I recommend that you log in to the course and look for announcements at least three times each week—or, even better, consider setting up a “Notification” to inform you (via email or message “pushed” to a mobile device) whenever an announcement appears. (Again, here’s a tutorial for setting up Notifications.)  

Canvas Messages (“Conversations”) and Personal Email

Messages to individuals (to your classmates, or to me)—Canvas calls these “Conversations”— should generally be used only for private communications. If you have any comments or questions that might be of interest to the class, please post them in an appropriate Discussion thread so others may benefit from the conversation.

For example, if you want to let me know that your essay will be late (a private issue that the rest of the class doesn’t need to know about), it would be appropriate to send me an individual Canvas message. If you are confused about the instructions on a writing assignment, though, it would be appropriate to ask that question in the Discussions area. You may be a little nervous about that, but try not to be. While you may fear that your question is obvious, it’s likely that others have a similar question — and sometimes students’ answers to such questions are clearer than my response.

For class-related issues, please contact me through Canvas; it’s much easier to keep track of conversations that way. For issues not related to the class, or in case you have trouble with Canvas (if you have trouble logging into Canvas, for example), you may contact me at my personal email address (gkemble@yccd.edu).

I will respond within two business days (though I’m usually much quicker than that).

Discussions

A good portion of our class will involve discussions about your writing and research. Indeed, 15% of your final grade rests on your posts and responses to specific Discussion Group Assignments (DGAs) found throughout the various modules. Ideally, these posts will be thoughtful and thorough.

As mentioned above, please use the Discussions area for general questions, too. Again, if you have a personal issue (you just want to let me know why an assignment is late, for example) then send me an individual Canvas message. But if you have a general question about an assignment, or if something really cool happened while researching, etc., please post it in the Discussions area so that others can benefit as well.

It is important that everyone feel comfortable participating in Discussions. For this reason, be respectful of your peers. You will, at times, disagree, but please do so thoughtfully and politely, not with sarcasm or derogatory remarks directed at any person or group of persons. Please remember that there is a feeling human being on the other end of the computer connection. There is a lot of room for debate, but not for flame wars.

On the other side of the coin: please don’t take criticism or advice personally. Love-fests don’t help anyone improve; honest suggestions do. When they’re right, we learn something new. But even when they’re wrong, we strengthen our own position by articulating why we think they’re wrong.

In short: strive both to give and to receive feedback, criticism, or advice with grace.

Dead Links

Every term, I work to improve the course, which sometimes causes unintended glitches. If you find any “dead” links (or other mistakes—inconsistent due dates, typos, whatever), please let me know so I can fix them.

I am also open to feedback, so if you have any suggestions for improvement to the presentation, or you can identify areas that were confusing or not intuitive, please feel free to let me know that as well.

Standards

Using Modules

As modules are released, the assignments associated with the modules will also become available, in the course’s Assignments section. However, you should go directly to an assignment only as a convenience, after you have worked through the module leading up to the assignment.

Occasionally students try to skip straight to the assignment without working through the modules. This is a recipe for disaster, for a number of reasons. Please work through the modules thoroughly and in order, so that you will benefit from the explanations and preparatory writing assignments.

Formatting

Your three main essays should be formatted using MLA style format. We’ll talk about this during the course, but here’s a short version: 

Essays should:

  • be typed, using a standard 12-point font (e.g., Times or Times New Roman);
  • be double-spaced (never single-spaced; never triple-spaced);
  • have one-inch margins;
  • have a correctly formatted header, title,  and pagination
  • document sources correctly, using both in-text citation and a Works Cited page.

Essays that do not follow MLA format may have their grades lowered from one-third to one-full letter grade, with the penalty increasing as the class proceeds.

Final drafts of essays, especially, should be edited, proofread, and spell-checked.

And please give each essay a clever and informative title (“Essay 1” is neither clever nor informative….)

Submitting Essays

Unless specified otherwise in the instructions, please submit assignments as a file upload through the Assignments section in Canvas. (The most notable exception: Discussion Group Assignments.)

Please don’t submit work to my personal email unless it is absolutely necessary. It’s hard to keep track of work that is not submitted as instructed—especially work submitted outside Canvas.

If possible, please upload essays in Microsoft Word format (.doc, or .docx), as this format allows me to respond to your work most effectively. (Note that Google Docs can save a in Word format, under “File | Download.”)

If you do not have access to Word (or Google Docs), then please save and upload your essay as a PDF file. Though this is harder for me to work with, it’s much better than other formats (e.g., .pages or .wks files), which I often cannot even open.

Retrieving Graded Essays

I get feedback on working drafts back as soon as possible–usually within two or three days–and on final drafts within two weeks or so.

When I’ve graded an assignment, you will be able to find your letter grade in the Canvas Gradebook.

However, for most assignments, I will also upload a PDF of your graded essay with my comments, which is where I offer the specific, personalized response to your work. (Note: If you would prefer a Word document, please let me know. However, unless you need it in Word—for example, screen readers handle Word documents better than PDFs—I recommend staying with the PDF, as that format more consistently displays comments.)

You’ll find this document in the same place you submitted the original work—usually, in the Assignments section—and should be able to download it and then either read it on screen or print it out.

Plagiarism

Plagiarism is defined as using another person’s words or ideas without proper acknowledgment. This may take many forms: cutting and pasting from the Internet, using others’ ideas without proper citation, buying a paper, having a friend or family member do an assignment, and so on.

Please don’t.

Plagiarism is serious, and it carries serious consequences. At the very least, a plagiarized paper will receive a “0” on the assignment. But plagiarism may also result in disciplinary probation or suspension, or even expulsion. (See the Student Code of Conduct).

Most cases of plagiarism that I have encountered — and I have encountered many — have arisen from desperation. If you find yourself growing desperate, please contact me as early as possible so that we can discuss strategies for success on the assignment.

Next up: Grading

The next section is about my Grading policies.

English 1A (Spring 2022) – Grading

Table of Contents

Grading

Grading Policy

In order to pass this course, students must both:

  • Complete all major writing assignments (Essays 1-3)
  • Receive an average grade of “C” or better on all assignments

The “average grade of ‘C’ or better,” mentioned above, follows this breakdown:

AssignmentPercentage
Essay 110%
Essay 220%
Essay 330%
Informal Writing Assignments (e.g., assignment reflections)10%
Annotated Bibliography10%
Discussion Groups15%
Reflective Essay5%
  • 90%+ = A
  • 80%+ = B
  • 70%+ = C
  • 60%+ = D
  • <60% = F

Late Assignments

General Thoughts on my Late Policy

I have tried many different policies for late work — everything from refusing all late work, to accepting all late work with no penalty. Students have made it clear that they need something in between; they need some flexibility, for when life gets in the way of school; but they also need deadlines, so they don’t put things off for so long that they can’t catch up. So I’ve developed a policy that falls somewhere in the middle.

But here’s the most important thing: I am willing to work with you, as long as you contact me. This is especially true in these uncertain COVID times; many lives have been completely upended, and many that are fine now might run into serious problems sometime during the semester.

So please keep in touch. If you think your situation requires that you’ll be late with an assignment, let me know. As I said, I’m willing to work with you. But I need you to let me know what you need.

Major Essay Assignments

For the three major essay assignments, I lower an essay’s grade one-third of a letter for each day that it is late. 

For example: assume an essay would have received a B+ if it had been turned in on time. It was due Friday, by 11:59 p.m.

  • If it were turned in Saturday (one day late), it would receive a B;
  • If it were turned in Monday (three days late), it would receive a C+
  • If it were turned in the following Friday (seven days late), it would receive a D.

Note that even an “F” is better than nothing, in two senses: first, as I mentioned above, you can’t pass the class if you don’t turn in all three major essay assignments; second, an “F” may count for as many as 55 points, which is significantly more than 0 points.

Discussion Group Assignments (DGAs)

DGAs become less relevant as time passes, so it’s important to complete them on time when at all possible. This is especially true of responses, where I ask you to respond to your peers’ writing; your classmates will not benefit from your response if you wait too long.

Thus, I will most often wait a few days after the DGA’s due date to grade the assignment. But once I grade it, it will be closed, and I will no longer accept late work for that assignment.

As I’ve said before, though, I’m willing to work with you if you have a good reason for being late. But please keep in touch. It is your responsibility to contact me.

End-of-semester Deadline

At some point, I need to wrap everything up and turn in grades. Thus, I have an end-of-semester deadline, which is the last day I will accept any work. Generally, this is early during Finals Week.

Given the past two semesters’ uncertainty around COVID, I’ve had to extend that deadline, so I don’t want to set a date that I’ll later need to change. I will make sure to announce that specific end-of-semester deadline in several Announcements as we approach the end of the semester.

The Main Takeaway

The most important thing I want you to hear: I see due dates as guard rails; they’ll designed to help you keep on track. They are not meant to be opportunities to punish you. So I am willing to be flexible.

This is dangerous, though. Every time a student turns in an assignment late, it usually means she starts the next assignment late as well. That can add up over the course of the semester. And I don’t know about you, but when I get overwhelmed, I procrastinate even more, which makes things worse.

So do your best to keep up with the pace of the course. But if you find you need to turn an assignment in late, please contact me (in advance, if possible). I’m happy to work with you — but I can’t work with you if you won’t keep in touch.

Next up: Resources

The next section is about resources that you might find helpful.

English 1A (Spring 2022) – Resources

Table of Contents

Resources

COVID Resources

Yuba has put together a resource for issues related to COVID-19. You’ll find it in your Canvas dashboard, next to your courses (“COVID-19 Fall 2021”). It’s full of resources, including modules about COVID-19 in general, taking classes during the outbreak, services that are available for you, and self care. It’s quite impressive, actually; I hope you’ll check it out. 

The Centers for Disease Control and Prevention (CDC) have the most up-to-date information about COVID:

If you want to get a free COVID-19 vaccine — and if you haven’t gotten one yet, you should! — you can get information about how to do so in your area on the My Turn Public Health Website.

And finally, there is an overwhelming amount of misinformation (incorrect information) and disinformation (intentionally misleading information) about COVID-19 on the Internet and on television, especially spread through social media. Be sure you use credible and reliable sources to stay in formed. And if you’re feeling confused or unsure about the information you’ve heard, visit The World Health Organization Mythbusters. It might help you sort out some of the confusion.

College (and Life) Resources

The Writing and Language Development Center (WLDC) is a great place to get help and feedback on your essays. They can help you at any stage of the writing process, from generating ideas to preparing a paper for submission. (Note that are not a proofreading or editing service, so please don’t expect them to “look at your paper and fix it.” ) They also have workshops and access to computers. In addition to the Marysville center, they usually have a limited presence at the Sutter Center. They also have online tutoring available.

Disabled Students Programs and Services  (DSPS) offers support for students with learning and other disabilities. If you know (or suspect) you have a learning disability, be sure to contact them. There are resources available to support you.

The Yuba College Library has great staff. As I write this, the library is open, but they also have an online presence. I’ll talk a bit more about the library during the course, especially as we approach the research portion.

The Yuba College Counseling Department has both in-person and online counselors to help. They can help with a lot of different needs, from academic questions (what classes should I take if I want to go to Chico?) to personal questions (I’m hungry and don’t have any money. Where can I get food?)

Canvas Help

I’ve been creating short videos explaining how Canvas works in my course. (Every teacher uses Canvas a little differently.) Generally, I’ll introduce the videos in the modules, when the information would be useful. But they’ll be collected on a How To Page, which you’ll have access to once the course is open.

Yuba College’s eLearning page offers an orientation to Canvas, as well as video tutorials, general student guides, and guides specifically for mobile phones and tablets.

Canvas also has a Student Guide, which is pretty complete.

And if you need more help,  you can contact one of the Help Desks:

  • Any time, you can email College’s Help Desk at  helpdesk@yccd.edu;
  • During working hours (Mon – Fri 8:00 am – 5:00 pm), you can reach Yuba College’s Help Desk at (530) 741-6981;
  • After hours (Mon – Fri 5:00 pm – 8:00 am, and weekends), you can reach Canvas’s Help Desk at (844) 303-8279.

Closing Thoughts

I have struggled a bit over the past year and a half, hopefully for obvious reasons. And if I’ve struggled — even with a secure job and a healthy family — I can only imagine the challenges that many of you have faced, or are currently facing.

In addition, online classes can be challenging; they require an unusual level of discipline, organization, and “self-starting.” It’s easy to get behind — and that can lead to feeling overwhelmed, which can lead to procrastination that gets you even further behind, and so on. It’s a nasty cycle. (I speak from experience.)

So: if you find yourself struggling, I hope you will reach out — to me, at least, or to some of the resources listed above. Please don’t think that I’ll be upset, or that I won’t care, or that I won’t want to help.

I want you to succeed. Of course, I can’t do it for you — I don’t give grades; you earn them. But I’ll support you however I can.